Catherine Potter - A Canadian Pioneer of Indian Classical Music

This past December 3rd, Canada lost one of its greatest pioneers of Indian classical music - bansuri player Catherine Potter. A disciple of Pt. Hariprasad Chaurasia, Catherine was one of Canada's top practitioners of Indian classical music, and was internationally renowned as a performer of bansuri.

Over the years, I had the fortune to perform with Catherine in a variety of settings - accompanying her in performances of Indian classical music, sitting in with the Duniya Project, accompanying her as a guest with fusion group Ragleela, and performing as part of the electronica group Ramasutra. But, before all that, before I even began to play tabla, Catherine was an important inspiration. The first-ever concert of Indian classical music that I ever attended was Catherine's bansuri recital. She encouraged me to begin my study of tabla, and put me in touch with my first tabla teacher in Montreal. In the years that followed, we would sometimes practice together, and whenever we met, Catherine would ask about my tabla practice and encourage me to push forward.

Here is a photo from an Indian classical music performance, accompanying Catherine back in 2008.

While many of us knew that Catherine was ill, her passing still came as a shock. News of her passing travelled like a wave through music circles around the world. In the days that followed, it became evident just how many people were touched by Catherine and her music. The world has indeed lost a great artist.

I have assembled a collection of links to newspaper articles published since Catherine's passing:

Globe and Mail - http://v1.theglobeandmail.com/servlet/story/LAC.20101223.OBPOTTERATL/BDAStory/BDA/deaths

The Montreal Gazette - http://www.montrealgazette.com/entertainment/Musician+Catherine+Potter+fused+East+West/3958933/story.html

La Presse (in French) - http://www.cyberpresse.ca/arts/musique/201012/06/01-4349528-la-flutiste-catherine-potter-nest-plus.php

Le Devoir (in French) - http://m.ledevoir.com/culture/actualites-culturelles/312510/en-bref-deces-de-la-flutiste-catherine-potter

Catherine's memorial service will be held on January 22. All the details can be found here: http://www.memoria.ca/FuneralsSearch/?q=Potter&id=4637

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Montreal Constellation

This past November 27, I was extremely honoured to have been invited to peform as part of the Kabir Cultural Centre's Montreal Constellation concert. For this special event, they invited all the local practitioners of Hindustani classical music to collaborate in an evening performance.

Each artist presented one raga (sorry that I don't recall all the raags performed). First to perform was santoor player Jonathan Voyer, accompanied by myself on tabla. Jonathan performed Raag Yaman in Alap, Rupaktaal, and Drut Teentaal. Next, sitarist Uwe Neumann, accompanied by Subir Dev on tabla, followed by sarodiya Aditya Verma, accompanied by myself. For the finale, all artists performed together on stage in Raag Kirwani - Alap, Vilambit Teentaal and Drut Teentaal.

It was truly a magical evening, and it was an honour to perform with such talented artists. It was a real coming-together of the local Indian music scene. This was also my first time performing with another tabla player in a traditional setting. Subir is a wonderful tabla artist, and it was a pure pleasure to perform together. I sincerely hope that we will be able to have other such occasions to perform together in the future.

For those of you who know the local scene, a major absence was felt, as bansuri player Catherine Potter was unable to participate due to her ill health. She passed away 6 days later. I will devote an entire post to Catherine in my next blog posting. Needless to say, her passing created waves across the entire Canadian music landscape, touching people from coast to coast.

All photos by Arif Khan of the Kabir Cultural Centre.

Touring with Ragleela

In mid-August, I had the pleasure of touring with the Indian-fusion group, Ragleela. During the past seven years, I have performed on-and-off with this group as needed. I was delighted when the called me to go on a small Eastern-Canada tour with them. The group is led by sitarist Uwe Neumann, accompanied by guitarist Jean-Marc Hébert, violinist Marie-Soleil Belanger, percussionist Eric Breton, with myself on tabla.

First stop on the tour was a 5am (!) sunrise performance at the beautiful Parc Forillon in Gaspé, which is right at the eastmost tip of the province of Quebec. The festival was aptly named Festival Musique du bout du monde (edge of the world). It was quite something, leaving the hotel at 3:30am for a 4am sound check. We weren't sure how many people would show up for such an early performance. As we did the sound check, people slowly trickled onto the site, and by the time we were performing, an estimated 250 people were in attendance! wow!

Needless to say, the scenery was just amazing, and the vibe of a sunrise performance is quite unique. Luckily, someone also posted a short video!

We then went on to perform again on Gaspé's main street later that afternoon.

Special thanks to the Festival Musique du Bout du Monde for the incredible photos of our performance.

We then continued on to perform at DANSpace in Halifax, Nova Scotia. I unfortunately don't have any photos of this performance. Next, we embarked on a long drive across Prince Edward Island, and took the five-hour ferry to the Iles-de-la-Madeleine. Amazing scenery all around; I definitely need to get back there when I have the chance. We performed for two nights at the Vieux Treuil. (NB: The soundman there is incredible!!!)

Overall, an amazing tour. I am now a full member of Ragleela, and am looking forward to many more performances in the years to come! :)

Tabla North of the Arctic Circle!

Hi everyone,

My apologies for the long silence. The past several months have been a very busy and complex time. I will do my best to fill in the blanks in the coming days!

This past June 29-July 2, I had the pleasure of performing in the Alianait Arts Festival, with the Indian folk group Galitcha. We gave a couple of performances and I also gave a tabla workshop. Alianait takes place up in Iqaluit, which is the capital city of Nunavut, in northern Canada. The population is approximately 12000 people, and at the time I was there, it was light 24 hours per day, with the sun visible for about 22 hours per day. It was a totally amazing experience! The people there were so welcoming and open to our music. The hospitality was great, and in the few days we were there, I really had a thorough experience of life up north. I would be more than happy to return any time! (Actually, I would love to see what it is like during wintertime!)


The festival closed on July 1, with Canada Day celebrations. At the end of the day of performances, all the artists got on stage and performed a big medley/jam together!

It seems that I have the honour of being the first tabla player to perform tabla in Iqaluit; wow!

Special thanks to Ed Maruyama for the photos!

Soul of Ganges

If I haven't been posting on a regular basis, it's because Sudeshna Maulik and I have been working extremely hard in organizing Soul of Ganges. This was the public launch of our kathak and tabla school, Sangeet Kala Kendra. We have been offering weekly classes at the local Bharat Bhavan for some time now, however we had yet to present our first performance under the banner of the school.

Presented in collaboration with the Kabir Cultural Centre, Soul of Ganges featured a performance by the great sitar maestro, Ustad Shahid Parvez Khan, accompanied by the wonderful Subhajyoti Guha on tabla. The evening opened with Sudeshna's kathak dance performance, accompanied by myself on tabla and Raja Bhattacharya performing lehra on sarod.

We opened with a segment in Dhammar Taal (14 beat cycle), followed by madhya and drut Teentaal (16 beat cycle). As the theme was 'Soul of Ganges', Sudeshna demonstrated aspects of flowing water, as well as depictions of Shiva and Parvati.

After an intermission for chai and samosas, Ustad Shahid Parvez took to the stage and blew everyone away with his virtuosity and depth. We are extremely grateful to Ustadji and Subhajyoti for coming to perform for this special occasion in Montreal.

It was great to see that so many of the Indian music and dance lovers in Montreal came out to support our launch. We couldn't be more pleased with the turnout - the Maison de la culture Frontenac was filled to capacity; we unfortunately had to turn people away. We'll have to book a bigger hall for our next event!

I just did a quick online search, and wow! - someone has already posted a blog and videos. Click here to read Bettina Forget's take on the evening. And here is her YouTube videoclip of our performance:

(Now the world can hear me count in Hindi. Oh boy...)

And a clip of Ustadji:

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Special thanks to Arif Ali Khan from the Kabir Cultural Centre for the photos!

Live at Zazen with Jonathan Voyer

This past Saturday, I performed with santoor player Jonathan Voyer, as part of the Zazen Live series. My aim with this series is to promote Indian classical music in an intimate setting. All performances are acoustic.

Jonathan Voyer is a disciple of santoor maestro, Pandit Satish Vyas. We opened with Raag Dhani - first an alap, then a gat jhaptaal (10-beat cycle), followed by a gat in drut teentaal (16-beat cycle).

After a short intermission (ie: samosa break), we continued with Raag Yaman - alap, gat in rupaktaal (7-beat cycle), and ending with a gats in madhya and drut teentaal.

I was really happy with the audience turnout for this concert - we were completely sold out. As always, the audience was really attentive. Jonathan performed many interesting (and challenging) rhythmic variations, with much depth and nuance. Looking forward to future performances together!

A big thanks to Jennifer at Zazen, for her continued support of Indian classical music and dance.

Performance with Suns of Arqa

This past weekend, I was invited to perform with the legendary group from the UK, Suns of Arqa. Led by Wadada, their music combines influences from Indian classical music, dub/reggae, and electronica. The concert took place at the Bobards in Montreal, as part of the Festival Musique Multi-Montreal. Apparently, the group hasn't played in a venue this small in about 20 years. So, let's just say that the place was packed!

Local DJ, Guapo put together an excellent roster of musicians for the show:

SUNS OF ARQA

Wadada : sitar, citern, guitar, harmonica

Angel-Eye : vocals

Guapo : Guitar, electronic dub FX

Geeta Sparkle : vocals

RHYTHM SECTION

Jahsun : drumset

Bass One: bass

RAGA SECTION

Aditya Verma : sarod

Shawn Mativetsky : tabla

VJ : Cousin Chang

We performed a mix of old and new tunes from the Suns of Arqa repertoire. I also accompanied Wadada on sitar, and Aditya on sarod for a couple of traditionally-inspired pieces.

Suns of Arqa with Aditya Verma on sarod.

Bandleader, Wadada on sitar.

I was especially impressed and inspired by Jahsun and Bass One ... really great rhythm section. Very creative, and tight! This was definitely a different kind of gig for me, as I haven't played anything remotely like this since perhaps Ramasutra back in 1999-2001. While trying to find a website for Ramasutra, I came across this video. Here it is, for old-time's sake:

On a completely separate note, in the category of better late than never, here are some photos from my tabla workshop at the University of Western Ontario that I gave at the end of February. Thanks to Prof. Jill Ball for these!

Enthusiastically explaining something related to playing the dahina.

With composer, Paul Frehner.

Notice my great drawing of India on the blackboard? :)

People really love tabla at UWO!