Fourth Annual Summer Tabla Workshop

This year's intensive summer tabla workshop took place from June 23 through to June 29 at the Schulich School of Music of McGill University. There were students who came from as far away as Ottawa, New York, Michigan, and Massachusetts. A big thank you to this year's wonderful participants, who made it such an enjoyable week!

As always, there were group classes, daily group practice sessions, listening/video sessions, and we ended with a touching Guru Puja. A few of the students got together to make malas (flower garlands), and all brought fruits and sweets for the puja. We talked about the history of the Benares gharana as I introduced the participants to the legendary artists that make up Guruji's family tree. It was really nice having everyone pay homage to Guruji and his family, and I think that everyone really enjoyed the cultural experience. It's so important to honour our teachers, and the rich history of the gharana.

The week just flew by; I can't believe it's over already. Already thinking about next year, which will be the fifth edition!

Thanks to Caroline for the photos! For more photos, please visit the Facebook album.

Two Gurus in Two Weeks

The Indian classical music scene in Montreal seems to be growing of late. Not that we necessarily have more locals professionally playing Indian music, but that more and more artists are passing through Montreal to perform. This fall, it seems that there is a concert every week or two! The first couple of weeks of October were quite intense, as in the first week, my friend Jonathan Voyer hosted his santoor Guru, Pandit Satish Vyas, and the week after, Uwe Neumann's Guru, Sri Partha Bose came to visit.

In both cases, I was fortunate to be their accompanist for both their private teaching, and in concert!

On October 4, I organized a workshop for Pt. Satish Vyas (himself a senior disciple of the legendary Pt. Shiv Kumar Sharma) at the Schulich School of Music of McGill University. It was an introductory workshop on santoor and the North Indian classical music traditions.

The following day, I accompanied both Satishji and Jonathan for a concert at Tanna Schulich Hall, appropriately named Parampara, which was presented under the banner of Jonathan's organisation, Samskara. Tanna Hall has a perfect acoustic for Indian classical music, and while we did amplify a bit, the audio staff and equipment are of such quality, that we could not feel that we were being amplified. Crystal-clear sound!

Accompanying Jonathan Voyer.

Parampara - Guru and Shishya!

Accompanying Pandit Satish Vyas.

Dan Blanchard (also a disciple of Pt. Satish Vyas, who kindly MCed for us in English), Satishji, and Jonathan.

The next week, I had the great fortune to accompany sitarist Partha Bose in concerts at H-OM Yoga and Equilibrium Yoga on October 12 and 13 respectively. It was quite amazing to perform in such intimate settings with an artist of this calibre, who could just have easily filled a large concert hall. I considered myself privileged to have the best seat in the house, right next to Parthaji, where I could hear all the wonderful nuances of his beautiful alaps.

Accompanying Sri Partha Bose at Equilibrium Yoga.

Aha!

It was a great pleasure, and a great learning experience. I'm very much looking forward to both of their next visits to Montreal!

Thank you to Caroline Tabah for the photos!

The McGill Tabla Ensemble in Concert

This past Monday evening was the end of semester concert for the McGill Tabla Ensemble, a group that I teach at the Schulich School of Music of McGill University, here in Montreal. The ensemble of 25 tabla players is made up mostly of music majors, but we do have a few students from other faculties in the university. While a few of the students have some prior tabla experience, the great majority were beginners, having only started to play tabla in January. They had to work quite hard in order to put together a performance in only three-and-a-half months! Unfortunately I don't have many photos from the concert, but do have a few from the dress rehearsal earlier the same day.

The McGill Tabla Ensemble in rehearsal.

Aaron Landsberg running through his solo during the dress rehearsal.

The concert started with two of my more experienced students each performing a 12 minute solo. First, Aaron Landsberg opened the concert with a solo in Vilambit and Madhya Teentaal (16 beat cycle), with me accompanying him on harmonium. Aaron opened with a mukhra and a couple of moharas, followed by the famous Delhi kaida, a charbag rela, and ending with a few tukras. The audience was very impressed by the amount of speed and clarity that he was able to develop in the short time that he has been playing; about a year. Next, Emily Thompson played a solo in Rupaktaal (7 beats), again with me accompanying on harmonium. After an introduction of some moharas, Emily played a couple of kaidas, and concluded with an ari tukra and a farmaishi tukra.

Emily Thompson reciting a tukra during the dress rehearsal.

Next, the ensemble of 25 tabla players was on. We played various arrangements of traditional repertoire, re-arranged for the ensemble configuration. A couple of kaidas, and three tukras, all with recitation of bols as well. I played tabla along with the ensemble, accompanied by Dan Garmon on harmonium. The students performed impressively, and played the material with great energy and enthusiasm, which was met with equal enthusiasm from the audience. I was really overjoyed to see amount of people that came out to support the ensemble, and their applause during the performance was very motivating. I'm happy to see Montreal audiences slowly becoming more educated with respect to etiquette at Indian music performances, and showing their appreciation during the performance, not only at the very end. Clara Lichtenstein Recital Hall is quite small, with a maximum capacity around 70 people. Every seat was full, and on top of that we had additional people sitting on the floor in the front, in the centre aisle, and standing along the back wall. It was really great to see the ensemble having such a strong impact at the school and in the community.

In the week leading up to the concert, a few students asked if I'd play a solo as well. I didn't plan on it, as I didn't think it would be appropriate; this concert was intended to showcase the students of the Ensemble, not me. But then, at the end of the concert, one of the students asked out loud, "Who would like to hear Shawn play a solo?" After the applause that ensued, I basically had no choice but to comply. So without any planning or rehearsal, Dan accompanied me for a short solo in Vilambit and Madhya Teentaal. It was great fun, and it was highly motivating to play in front of an audience who obviously had such a great appreciation for tabla! Kudos to Dan for providing such solid lehra with only about a month of experience with tabla solo music!

The McGill Tabla Ensemble in Concert.

For September, we're aiming to increase the size of the ensemble to 30 members. I'm looking forward to continuing to work with some of the students this summer in private lessons and at the tabla workshop at McGill (which is also open to the general public), and again in the context of the McGill Tabla Ensemble once school starts up again in September.

Thank you to Caroline Tabah for the photos!