The Attar Project is the project of violinist Parmela Attariwala. "Initially conceived as a vehicle to integrate the eclectic strands of Attariwala’s own musical background, the Attar Project engages artists across musical genres and artistic practices in virtuosic collaborations that maintain the essence of each while challenging the boundaries between them. Neither a fixed ensemble nor an “ad hoc” one, the Attar Project has unfolded as a series of dedicated partnerships, resulting in a body of work that, while beyond common definition, unfailingly awakens the eye and ear." This album features new music for violin and tabla by Canadian composers.
the Attar Project - The Road Ahead
Parmela Attariwala, violin and viola
Shawn Mativetsky, tabla and percussion
Oracle, by Paul Frehner
Sudoku, by Andrew Staniland
The Road Ahead... is Longer than the Trail Left Behind, by Nicole Rampersaud
The Melody of Rhythm, by Meiro Stamm
Never the Twain Shall Meet, by Christien Ledroit
The first of the CD launch activities took place at the Musideum in Toronto on February 24. This is a music / instrument store with an eclectic collection of instruments on display and for sale. A really fascinating place! They had a wide array of percussion, string instruments, winds, and electronic instruments from around the world. They even had an old glass harmonica on display. We performed a few selections from the new CD to a small, but appreciative audience.
Performing at the Musideum, Toronto.
Chatting with composer Meiro Stamm.
The Attar Project at the Musideum.
The next day, February 25, Parmela and I were on a train to London (Ontario) to give workshops at the University of Western Ontario. I gave a tabla workshop for the percussion students, and another for the composition students, while Parmela gave a workshop on improvisation. The next day, we performed for the UWO noon-hour concert series. Many thanks to composer Paul Frehner for inviting us. It was a great couple of days. I only wish that I had more time to stay and see more of "the other" London.
A couple of hours later, we were back on a train for another performance that same evening at Toronto's C'est What. C'est What is not our usual type of venue - it's a microbrewery pub. But, they have a music series and are trying to branch out into other, more adventurous styles of music. It was fun to be able to watch the Olympic women's gold medal curling match (though Canada lost, and got silver) just before the performance.
Performing at C'est What, Toronto.
The last of the Toronto CD launch concerts was at the Tranzac. I hadn't heard of this place before, but it seems to be a big part of the local music scene. They have a few rooms, booked all day long, with musical performances representing practically every genre imaginable. We played in a smaller room, up close and personal with the audience. We got a really enthusiastic response! Maybe it was the Tranzac vibe, or the fact that the Tranzac audiences are very open in their musical tastes.
Performing at the Tranzac, Toronto.
In all of the performances, we played selections from the new CD, plus Robert Rosen's now classic LA, and a tabla solo in rupak taal (7 beats). I have typically chosen to perform tabla solo in teentaal (16 beats), but I decided that it was time for a change! I'm really liking the feel of rupak for solos, and will surely continue to explore this further.
All in all, a great week, and a great way to launch the new CD! The CD should soon be available on CDBaby, iTunes, etc. It's also available directly from Parmela or myself, and independent music stores in Toronto.
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