Three Concerts at OpenMind Festival

This past week, I had the pleasure of accompanying three different artists over the course of three days at the OpenMind Festival in La Patrie, Quebec. OpenMind Festival is a music festival, bringing people together in a celebration of diversity and sound ecological practices. The festival takes place every two years, and in a different location that is always very isolated (no cell phone coverage this year!) and very beautiful. You may remember my performance with Uwe Neumann from the last OpenMind Festival, in 2011.

My first performance at this year's festival was an early evening concert with sitarist Uwe Neumann. I accompanied him in raag Kirwani, in Sitarkhani, followed by another raag in Rupak, the name of which has slipped my mind, and lastly, a Bhairavi in Teentaal. We concluded with Uwe's customary finale - an improvised piece on sansa.

A view of the stage and surrounding stunning views!

Next was a noon concert, accompanying santoor player Jonathan Voyer. Our outdoor performance was quickly rained out (Jonathan didn't even get to finish his alap), even though Jonathan had specifically decided NOT to play raag Megh (a monsoon raga, which would have been appropriate, considering the OpenMind theme of the day was water), and instead opted for Bhimpalasi. Well, raag Megh or not, the rain came down hard! The tech crew quickly scrambled to move us and all the equipment into ... how to explain ... an enormous, inflated white ball, with carpets and pillows laid out on the inside. It was a really nice, intimate setting for the music, but also incredibly hot! Jonathan wrapped up his alap, and we moved on to compositions in Rupak and Teentaal. It must have been 40 degrees (C) in there, no exaggeration. Nevertheless, we brought full energy (and lots of sweat!) to the performance, and the audience was extremely receptive.

Photo from soundcheck. No more photos from the outdoor stage, as it soon started to rain!

Inside the big inflated white ball. The stage was unfortunately placed behind an altar, as you can see here.

The ball!

Last, but not least, was a sitar performance with Toronto-based musician, Prosad. This was actually our first time meeting and playing together. Prosad has studied with musicians in both the Vilayat Khan style and Ali Akbar Khan style of playing, and so his approach was quite different from the Montreal-based musicians that I usually play with. It was great fun to follow and see where he might lead me. Lots of fun rhythmic interplay and intricate tihais!

Again, in the ball, and hidden behind the altar!

Overall, a great three days of tabla accompaniment! Thanks to Caroline Tabah for most of the photos, aside from the few cellphone shots. :)

Festival du Monde Arabe de Montréal

This past October 27, santoor player Jonathan Voyer and I performed a free concert for the Festival du Monde Arabe, at the Espace Georges-Emile-Lapalme of Place des Arts. The festival titled our concert Treasures of Indian Music, which was quite the compliment! The concert was very well attended, but because it was in an open, public space, it was really noisy. It was actually quite challenging to play in such a situation, but we did enjoy ourselves and the audience also seemed to enjoy very much!

Ragleela at the Collingwood Music Festival in Owen Sound

This past August 23, Ragleela had a concert at the Roxy Theatre in Owen Sound as part of the Collingwood Music Festival. This concert was somewhat significant as we played four new tunes, all of which will be on Ragleela's upcoming CD, which we will be recording this fall; it was the concert debut of my tabla 'drum-kit' (for lack of a better term); and it was also the debut of Jean-Marc's new seven-string guitar!

The Roxy Theatre in Owen Sound

Warming up during sound check

Playing the 'tabla-kit.' What should I call it?

The tabla-kit emerged out of a desire to add some other percussion to the Ragleela trio, for shows where the full quintet isn't involved. The core of the group is Uwe Neumann on sitar, Jean-Marc Hébert on guitar, and myself on tabla, and on special occasions, we are joined by Eric Breton on percussion and Marie-Soleil Bélanger on violin. Eric adds a special feel to the group, and while of course it's impossible to replace him, we thought that it would be nice to add some other percussive sounds to the tabla in certain places. With my tabla in the centre (of course!), I added a Sabian prototype 18" cymbal and 10" Paragon splash to my right, and a pair of Remo Tablatones on the left. The cymbals are both very, very thin, allowing me to play them with hands or sticks (Tala Wands!), and the Tablatones are great, as they allow me to add more pitched percussion to the tabla setup; I tune them to Sa and Pa. I'm very happy with the little stand I put together for the Tablatones, which keeps them mounted horizontally, and taking up a minimum of space.

We performed two sets, including both new and old tunes, and had a great time. The hall wasn't full, but the audience that was there was extremely attentive and super-enthusiastic!

Thanks to Caroline Tabah for the photos! Please don't forget to check out her TAAL - The Rhythm of Life documentary film fundraiser. Every contribution makes a difference. The project cannot succeed without your help!

More photos will be posted to my Facebook page.

Mill Race Festival with Galitcha

Another late posting - This past July 30 and 31, I performed with Galitcha at the Mill Race Festival of Traditional Folk Music in Cambridge, Ontario. During the two days, we were kept quite busy! Two concerts on Saturday and a concert and workshop on Sunday. It's always a pleasure to play with Matt Smith, who joined us on mandolin and slide guitar.

Saturday evening concert with Galitcha
at the Mill Race Festival

In many folk festivals, 'workshops' tend to be more like jams. It's often musicians from a few bands, thrown together on stage based on some sort of theme. We usually end up playing a tune from each band, and jamming on each other's tunes. This was one of the first times where workshop actually meant workshop. For "Instruments of Mass Percussion," Kuljit and I were joined by amazingly talented percussionists Maninho Costa and Luis Orbegeso. We each presented our instruments and the music of their source cultures - Luis on cajon, Maninho on pandeiro, Kuljit on dholki, and myself on tabla. Everyone had such an interesting and engaging way of explaining their instruments and music. I later brought out a kanjira; who knew that it would spawn a samba jam! We also did some jamming on other traditional rhythms from India and South America. All in all, probably the best folk festival workshop that I have participated in to date!

Thanks to the Mill Race Festival for having invited us to perform!

Photos by Caroline Tabah.

OpenMind Festival with sitarist Uwe Neumann

Catching up on some old posts - This past August 11, I had the great pleasure to accompany sitarist Uwe Neumann at the Open Mind Festival in Curran, Ontario. This Eco-Festival includes live music, kirtan, DJs, and various environmental and healing sessions and workshops. Upon arrival, our travel distance was calculated and our parking cost was based on our CO2 emissions! This is the first time that I have seen this approach; I think the festival organizers pass on the money to an organisation that will plant trees to counteract everyone's emission pollution.

Indian classical music workshop with Uwe Neumann

In the afternoon, we gave a 90-minute workshop/performance on Indian classical music. Uwe started with the ektara, explaining the idea of drone and how the overtones contain all the pitches of the scale. We then played a short Bengali folk piece with the ektara. Next, we got into more of the nitty gritty, demonstrating the sitar and tabla, and talking about raag and taal. We played a short classical piece, and afterwards had an interesting exchange with the audience.

Uwe and his huge ektara

Reciting tabla bols during the workshop

Later that evening, we performed a full sitar and tabla concert. It's great to have the time to do a full alap-jor-jhala, with gats in vilambit, madhya, and drut. Uwe was really in the mood and we had some great exchanges. As is the tradition with Uwe, we ended with a short piece on sansa and tabla.

Evening concert at Open Mind

Photos by Caroline Tabah

Summer Festivals with Ragleela

This past August 10, I performed with Ragleela at the Festival des Traditions du Monde de Sherbrooke. I had played this festival a few years earlier with Galitcha, and so was really looking forward to being back. This was our first performance trying out a new instrument with the group -cello. Cellist Philippe Mius d'Entremont joined the usual group of Uwe Neumann on sitar, Jean-Marc Hébert on guitar, Eric Breton on percussion, and myself on tabla.

Soundchecking with Ragleela at the Festival des Traditions du Monde de Sherbrooke

In concert at the Festival des Traditions du Monde Sherbrooke

Here comes the rain!

But, after we played our first tune, BOOM, the rain came down HARD. We quickly packed up our instruments, but were told to stay on standby in case the weather cleared up. 20 minutes later, it did, and so we were able to resume our set for another 30 minutes or so. Then right after finishing, again, the rain came pouring down and this time there was no end in sight. We scrambled to pack our instruments and put them away in the car. We were all completely soaked, but luckily no instruments were damaged.

On August 13, we headed out to the Festival Interculturel de Rawdon. Unlike the weather in Sherbrooke earlier that week, the weather was really amazing. Nothing but sun and blue skies. The festival is set at the municipal beach, right next to a peaceful lake.

Uwe playing his sansa.

After the concert, we took a few group photos in the Rawdon countryside. Here are a couple of my favourites:

 

Tabla at the Festival international de jazz de Montréal

For the past several years, because of touring or tabla workshops, I have tended to be out of town during the Montreal Jazz Festival. This year, I am here, so I am paying particular attention to the lineup. I thought it would be nice to do a rundown of all the tabla-related performances this summer. Unfortunately, I won't be performing tabla in the festival this year.

July 1, 2009 at 6pm

Erik Truffaz - Benares

Gesu, 1200 rue de Bleury

From the JazzFest program - "French trumpeter Erik Truffaz opens his three-night stand in the style of his triptych Rendez-vous, lining up high-calibre collaborations. In Benares, the first of three "cities" visited in this wholly original series, we're ushered into an Indian salon where Indrani and Apurba Mukherjee await us, alongside Truffaz and Malcolm Braff. Vocals, piano, trumpet and tablas conjure the clamour of an India bathed in dusky light, car horns and dust, in a rhythmic whirlwind of a fusion of the Middle-East and the western world."

July 2, 2009 at 6pm

Eric Truffaz - Mexico

Gesu, 1200 rue de Bleury

From the JazzFest program -"On the second stop of his musical pilgrimage, Erik Truffaz welcomes electronica artist Murcof, one of the most freespirited of his generation, to fold his airy rhythms around the trumpeter's soaring, dynamic runs. They engendered a longdistance exchange via the Internet, weaving a sonic tapestry true to Truffaz' boundless sense of invention and musical curiousity. It's a radical, impressionistic proposition; and here they are together, playing music enhanced by the percussion of Talvin Singh, unquestioned master of the tablas and the Asian underground sound."

Personally, I don't see the connection between Talvin and Mexico, but hey, why not?

July 4, 2009 at 9:30pm

Miles From India

Théâtre Maisonneuve, Place des Arts

From the JazzFest program -"Miles goes Indian… or vice-versa? The Festival presents another concert homage to the legend, this time with a major musical project spiced with a delicious touch of exoticism. Inspired by the double album of the same name, Miles from India is a musical fusion of Indian and American cultures. Two groups, one composed of elite Indian musicians, the other of American jazzmen who’ve previously collaborated with Miles, unite onstage for a Subcontinental, spiritual celebration of the master’s music."

Nicholas Payton • Trumpet

Robert Irving III • Keyboards

Bill Evans • Tenor Saxophone
R. Mahanthappa • Saxophones
Darry Jones • Bass
John Beasley • Keyboards
Badal Roy • Tabla
U. Shrinivas • Mandolin
Lenny White • Drums
Ndugu Chancler • Percussions
Vince Wilburn • Drums
Anantha Krishnan • Mridangan
Hidayat Khan • Sitar
V.K. Raman • Flute/Vocal
Selvaganesh • Khanjira

July 9, 2009 at 10:30pm

Indo-Pak Coalition

Gesu, 1200 rue de Bleury

From the JazzFest program -"Rudresh Mahanthappa’s Indo-Pak Coalition is turning heads internationally in both the jazz and world music scenes. Rudresh, an innovative alto saxophonist, along with guitar virtuoso Rez Abbasi and tabla star Dan Weiss, blazes new trails into the future of jazz, synthesizing jazz with the astutely improvised musical forms of South Asia. Their debut album Apti, on innova Recordings, has received rave reviews in The New Yorker, Rolling Stone and Downbeat."

Dan Weiss is famous for his incredible Tintal Drumset Solo. It'll be nice to hear him on tabla.

Overall, quite a lot of tabla this year. If you attend any of the concerts, please post a review!