Celebrating Guru Purnima in London, Summer 2011

Guru Purnima is a very special time of year for any chela (disciple). Usually occurring some time in the month of July, this day is devoted to celebrating the Guru. While I have celebrated Guru Puja numerous times in previous years, this is the first time that I was with Gurujee on the actual day of Guru Purnima, according to the Hindu calendar. For this past year, Guru Purnima fell on July 15.

Photos by Caroline Tabah

Guru-bhais (fellow disciples) and students from all over the UK were in attendance, as well as a couple of us who traveled from North America. Little did any of us know that this would be our last Guru Purnima with Gurujee. Looking back on the photos, we all had a great time, and this day made for some especially fond memories. Gurujee always loved when we all came together, as a big family. A special moment that I will always be thankful for.

Chatting with the Sahai family in Benares via Skype

Photos by Caroline Tabah

Aside from Guru Purnima, I was in London to spend time with Gurujee and continue my tabla studies. While I was there, I accompanied kathak dance classes at Sangeet College, given by dancer Mansi Dabral, and assisted in teaching the tabla classes as well. Surprise, surprise! There was a class concert organised to take place in a week's time at the Harrow Arts Centre, and I was to accompany Mansi in a short performance. Great, but this was a short time to put together a kathak performance!

After all the students had given their performances, we came on stage to conclude the concert. With Dr. Frances Shepherd on harmonium, and myself on tabla, we accompanied Mansi in her performance, which was met by great praise from the audience!

Photo by Deepak Uniyal

Photo by Caroline Tabah

Photo by Caroline Tabah

OpenMind Festival with sitarist Uwe Neumann

Catching up on some old posts - This past August 11, I had the great pleasure to accompany sitarist Uwe Neumann at the Open Mind Festival in Curran, Ontario. This Eco-Festival includes live music, kirtan, DJs, and various environmental and healing sessions and workshops. Upon arrival, our travel distance was calculated and our parking cost was based on our CO2 emissions! This is the first time that I have seen this approach; I think the festival organizers pass on the money to an organisation that will plant trees to counteract everyone's emission pollution.

Indian classical music workshop with Uwe Neumann

In the afternoon, we gave a 90-minute workshop/performance on Indian classical music. Uwe started with the ektara, explaining the idea of drone and how the overtones contain all the pitches of the scale. We then played a short Bengali folk piece with the ektara. Next, we got into more of the nitty gritty, demonstrating the sitar and tabla, and talking about raag and taal. We played a short classical piece, and afterwards had an interesting exchange with the audience.

Uwe and his huge ektara

Reciting tabla bols during the workshop

Later that evening, we performed a full sitar and tabla concert. It's great to have the time to do a full alap-jor-jhala, with gats in vilambit, madhya, and drut. Uwe was really in the mood and we had some great exchanges. As is the tradition with Uwe, we ended with a short piece on sansa and tabla.

Evening concert at Open Mind

Photos by Caroline Tabah

Cycles - CD release coming soon!

Cycles is the culmination of over ten years of collaborating with Canadian composers, creating a new repertoire for tabla that combines elements of Indian classical and Western classical music. The resulting works draw their inspiration from Western and Indian music in varying degrees, and reflect the personalities and approaches of the individual composers. Cycles features new works for tabla from Canadian composers Paul Frehner, Jim Hiscott, Christien Ledroit, Nicole Lizée, and Bruno Paquet and features guest performances by the Windsor Symphony Orchestra, directed by Brian Current, as well as Marie-Hélène Breault on flute, Catherine Meunier on vibraphone, and Xenia Pestova on harmonium. The CD is being released on the ombu productions label, and will be available on October 14.

The pieces on the CD are:

Elementalities, for flute, vibraphone, and tabla, by Christien Ledroit

Metal Jacket, for tabla and harmonium, by Nicole Lizée

Les arbres célestes, for tabla and pre-recorded tape, by Bruno Paquet

Shadow Play, for flute and tabla, by Jim Hiscott

Ke-Te, for solo tabla, by Paul Frehner

Trade Winds, concerto for tabla with string orchestra, by Christien Ledroit

Producing this CD has been quite a journey for me. It represents ten years of new music for tabla, and the CD project itself took over one year to complete. The chamber music pieces were recorded in September and October 2010, and the tabla concerto with the WSO was recorded in February 2011 by the CBC.

Performing Christien Ledroit's Trade Winds, concerto for tabla, with the Windsor Symphony Orchestra
Photo credit: Scott Webster, Windsor Star

Many thanks to all who collaborated with me on this special project! I will post links to purchase the CD once it becomes available.

Santoor and tabla recital at McGill University

This past September 30, I accompanied santoor player Jonathan Voyer for a recital at Tanna Schulich Hall at the Schulich School of Music of McGill University in Montreal. The concert was part of the Journées de la culture (Culture days) and also was in celebration of UNESCO International Music Day, which was interestingly started by the great violinist Yehudi Menuhin (himself a great lover of Indian classical music, and longtime collaborator of Pandit Ravi Shankar).

Jonathan chose to play Raag Charukeshi, which is one of my favourites on santoor (recommended listening: Pandit Shivkumar Sharma's recording of Charukeshi, with Pt. Kishan Maharaj, on the album Sympatico). The raag just seems to work so well on santoor, and creates a very special mood. Jonathan played an alap, followed by a gat in vilambit jhaptaal, madhya teentaal, and then drut teentaal.

We really had a great performance. A great hall, great audience, and great mood. This was one of those performances that just felt right. The hall was almost completely full to capacity and the audience was very enthusiastic. We even got some audible appreciation at times during the drut, which is very rare here in Montreal.

Our CD, Shanta, can be purchased from us directly, or online via iTunes and CDBaby.

New CD release - Shanta

Wow, I can't believe that I haven't posted about this yet... This past fall, santoor player Jonathan Voyer and I released our first CD together, and my first recording of Indian classical music! - Shanta - a musical expression of peace.

The recording is a full performance of Raag Yaman, beautifully interpreted by Jonathan through Alap, Vilambit Rupaktaal, Madhyalaya Teentaal, and concluding with Drut Teentaal.

The CD is dedicated to our respective gurus of Indian music - santoor maestro Pandit Satish Vyas, vocalist Pandit Somanath Mardur, and tabla master Pandit Sharda Sahai.

The CD is available to purchase through CDBaby, iTunes, and of course, directly from Jonathan and myself. We are already discussing plans for a second album, perhaps to be recorded this spring!

I thought I should also mention that Jonathan has a fabulous new website - www.samskara.ca.

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Tabla Concerto and What Next?

February has turned out to be a really busy month. First, I spent a few days in Toronto with violinist Parmela Attariwala, to rehearse for our upcoming concerts of the Attar Project.

On Friday, February 4, we performed at Somewhere There, one of Toronto's renowned improv venues. We performed as part of the Leftover Daylight series, curated by talented trumpetist, improviser, and composer Nicole Rampersaud. We opened with Nicole's composition, The Road Ahead, which is also the title track of our CD. Next on the program was Paul Frehner's Oracle, followed by a 30-minute tabla solo in Teentaal. It was an improv venue after-all. :) We concluded the evening with a very different rendition of Nicole's The Road Ahead.

On Sunday, February 6, we closed the Hamilton Philharmonic's What Next? festival of new music at the Pearl Factory in Hamilton, Ontario. Parmela opened with Frank, which is one of her compositions with dance choreography.

I then followed with a short unaccompanied solo in Teentaal, while Parmela did a quick costume change!

The remainer of the program consisted of Nicole Rampersaud's The Road Ahead, Meiro Stamm's The Melody of Rhythm, Paul Frehner's Oracle, Robert Rosen's LA, and Christien Ledroit's Never the Twain Shall Meet.

The following week, I flew to Windsor, Ontario, where I was in residence for the Windsor Canadian Music Festival. On February 9, I participated in a round-table discussion with composer Brent Lee, percussionist/composer Nicholas Papador, conductor/composer Brian Current, and pianist/composer Lee Pui Ming. The discussion began with the music of Claude Vivier and spectral music, followed by a discussion of cross-cultural music. Later that day, I gave a tabla workshop for students at the University of Windsor, hosted by Prof. Nick Papador. The workshop ended with an impromptu tabla solo, with Nick playing lahara on piano!

February 11, was the big day - performing Trade Winds, a concerto for tabla with string orchestra by composer Christien Ledroit. The Windsor Symphony Orchestra was directed by guest conductor Brian Current. The concert was recorded by CBC for future radio broadcast, as well as for my upcoming CD (projected release is for fall 2011). Unfortunately, I don't have any photos from during the performance - only from the bow at the end.

The following day, I performed Jim Hiscott's Shadow Play, for flute and tabla, with talented flautist Jamie Wagner as part of the University of Windsor's faculty concert. This concert was also recorded by CBC for future broadcast.

This was just the first two weeks of February. There is yet more to report, but I will save that for a future blog posting...

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Montreal Constellation

This past November 27, I was extremely honoured to have been invited to peform as part of the Kabir Cultural Centre's Montreal Constellation concert. For this special event, they invited all the local practitioners of Hindustani classical music to collaborate in an evening performance.

Each artist presented one raga (sorry that I don't recall all the raags performed). First to perform was santoor player Jonathan Voyer, accompanied by myself on tabla. Jonathan performed Raag Yaman in Alap, Rupaktaal, and Drut Teentaal. Next, sitarist Uwe Neumann, accompanied by Subir Dev on tabla, followed by sarodiya Aditya Verma, accompanied by myself. For the finale, all artists performed together on stage in Raag Kirwani - Alap, Vilambit Teentaal and Drut Teentaal.

It was truly a magical evening, and it was an honour to perform with such talented artists. It was a real coming-together of the local Indian music scene. This was also my first time performing with another tabla player in a traditional setting. Subir is a wonderful tabla artist, and it was a pure pleasure to perform together. I sincerely hope that we will be able to have other such occasions to perform together in the future.

For those of you who know the local scene, a major absence was felt, as bansuri player Catherine Potter was unable to participate due to her ill health. She passed away 6 days later. I will devote an entire post to Catherine in my next blog posting. Needless to say, her passing created waves across the entire Canadian music landscape, touching people from coast to coast.

All photos by Arif Khan of the Kabir Cultural Centre.

Touring with Ragleela

In mid-August, I had the pleasure of touring with the Indian-fusion group, Ragleela. During the past seven years, I have performed on-and-off with this group as needed. I was delighted when the called me to go on a small Eastern-Canada tour with them. The group is led by sitarist Uwe Neumann, accompanied by guitarist Jean-Marc Hébert, violinist Marie-Soleil Belanger, percussionist Eric Breton, with myself on tabla.

First stop on the tour was a 5am (!) sunrise performance at the beautiful Parc Forillon in Gaspé, which is right at the eastmost tip of the province of Quebec. The festival was aptly named Festival Musique du bout du monde (edge of the world). It was quite something, leaving the hotel at 3:30am for a 4am sound check. We weren't sure how many people would show up for such an early performance. As we did the sound check, people slowly trickled onto the site, and by the time we were performing, an estimated 250 people were in attendance! wow!

Needless to say, the scenery was just amazing, and the vibe of a sunrise performance is quite unique. Luckily, someone also posted a short video!

We then went on to perform again on Gaspé's main street later that afternoon.

Special thanks to the Festival Musique du Bout du Monde for the incredible photos of our performance.

We then continued on to perform at DANSpace in Halifax, Nova Scotia. I unfortunately don't have any photos of this performance. Next, we embarked on a long drive across Prince Edward Island, and took the five-hour ferry to the Iles-de-la-Madeleine. Amazing scenery all around; I definitely need to get back there when I have the chance. We performed for two nights at the Vieux Treuil. (NB: The soundman there is incredible!!!)

Overall, an amazing tour. I am now a full member of Ragleela, and am looking forward to many more performances in the years to come! :)

Tabla North of the Arctic Circle!

Hi everyone,

My apologies for the long silence. The past several months have been a very busy and complex time. I will do my best to fill in the blanks in the coming days!

This past June 29-July 2, I had the pleasure of performing in the Alianait Arts Festival, with the Indian folk group Galitcha. We gave a couple of performances and I also gave a tabla workshop. Alianait takes place up in Iqaluit, which is the capital city of Nunavut, in northern Canada. The population is approximately 12000 people, and at the time I was there, it was light 24 hours per day, with the sun visible for about 22 hours per day. It was a totally amazing experience! The people there were so welcoming and open to our music. The hospitality was great, and in the few days we were there, I really had a thorough experience of life up north. I would be more than happy to return any time! (Actually, I would love to see what it is like during wintertime!)


The festival closed on July 1, with Canada Day celebrations. At the end of the day of performances, all the artists got on stage and performed a big medley/jam together!

It seems that I have the honour of being the first tabla player to perform tabla in Iqaluit; wow!

Special thanks to Ed Maruyama for the photos!

Soul of Ganges

If I haven't been posting on a regular basis, it's because Sudeshna Maulik and I have been working extremely hard in organizing Soul of Ganges. This was the public launch of our kathak and tabla school, Sangeet Kala Kendra. We have been offering weekly classes at the local Bharat Bhavan for some time now, however we had yet to present our first performance under the banner of the school.

Presented in collaboration with the Kabir Cultural Centre, Soul of Ganges featured a performance by the great sitar maestro, Ustad Shahid Parvez Khan, accompanied by the wonderful Subhajyoti Guha on tabla. The evening opened with Sudeshna's kathak dance performance, accompanied by myself on tabla and Raja Bhattacharya performing lehra on sarod.

We opened with a segment in Dhammar Taal (14 beat cycle), followed by madhya and drut Teentaal (16 beat cycle). As the theme was 'Soul of Ganges', Sudeshna demonstrated aspects of flowing water, as well as depictions of Shiva and Parvati.

After an intermission for chai and samosas, Ustad Shahid Parvez took to the stage and blew everyone away with his virtuosity and depth. We are extremely grateful to Ustadji and Subhajyoti for coming to perform for this special occasion in Montreal.

It was great to see that so many of the Indian music and dance lovers in Montreal came out to support our launch. We couldn't be more pleased with the turnout - the Maison de la culture Frontenac was filled to capacity; we unfortunately had to turn people away. We'll have to book a bigger hall for our next event!

I just did a quick online search, and wow! - someone has already posted a blog and videos. Click here to read Bettina Forget's take on the evening. And here is her YouTube videoclip of our performance:

(Now the world can hear me count in Hindi. Oh boy...)

And a clip of Ustadji:

>

Special thanks to Arif Ali Khan from the Kabir Cultural Centre for the photos!

Benares Chronicles, Part 3 - The United Nations of Indian Classical Music

While I was in Benares, I had asked Shen if he had any performances coming up; unfortunately, he had none booked at the time. It would have been great to see him perform. Well, Shen had a surprise up his sleeve for me. He spoke with the folks at Kashika Music Ashram and organised a performance. He was to accompany Japanese sitarist, Yasuhiro Minamizawa... AND, to my surprise... I was to play tabla solo.

The final lineup was made up of Indian classical musicians from all around the world, and so Shen had the great idea to call this concert the United Nations of Indian Classical Music. Very appropriate, and I hope that this concept will continue in the years to come.

KASHIKA MUSIC ASHRAM

presents

United Nations of Indian Classical Music

Kashika Music Hall

Near R.B. Katra Post Office

Bengali Tola Lane

Monday, 21st December, 2009 at 7pm

ARTISTS:

Yuki Taniguchi (Japan - disciple of Pt. Ritwik Sannyal) - SANSKRIT MANTRA

Shawn Mativetsky (Canada - disciple of Pt. Sharda Sahai) - TABLA SOLO

with Aneesh Mishra (India - disciple of Pt. Kanhaiyalal Mishra) - SARANGI

Yasuhiro Minamizawa (Japan - disciple of Smt. Shrabani Biswas) - SITAR

with Shen Flindell (Australia - disciple of Pt. Ashutosh Bhattacharya) - TABLA

Australia, Canada, Japan, and India ... not a bad start for the United Nations of Indian Classical Music! A few days before the performance, we all met at Kashika Music House to give press interviews. Here we are (minus Aneesh), jamming for the cameras.

When the day of the performance came around, I really had no idea how many people would show up. The Kashika Music Hall is a small, intimate performance space. The musicians perform acoustically, with no amplification, and we are extremely close to the audience. The capacity of the space is maybe 40 people; the feeling is like a house concert. At around 6:50, the hall was quite empty, but by 7:00, it was completely full, and by 7:15 all the doors were opened and people were filling the street outside!

First to perform was Yuki, singing Sanskrit mantras. Her background is in yoga and dhrupad, and she has found a great way to combine the two, in the form of naad yoga. Her voice was very calm and composed, and set the mood for the other performances to come. The mantras allowed us to focus on the musical performance taking place, and leave behind the various sounds of the nearby lane.

Next, I performed tabla solo. Opening with a Ganesh vandana, I followed with vilambit and madhya teentaal. Aneesh played beautifully; there is really nothing quite like the sound of sarangi. The audience was very kind and appreciative, and I was surrounded by the now-familiar faces of Debabrata-ji, Shen, Yuki, Hiro, Rob, Jay, Nick (another person that I have known online for a long time, but had never met before), Ghirau (Amarnathjee's sitar-playing son, who I had the pleasure of practicing with) and guru-bhais Jeff and Anjan, and that really motivated me. After a few minutes of playing, Pt. Pooran Maharaj arrived. When Shen and I had visited him a few days prior (see previous blog post), we invited him to our performance and he promised to come; well, he did! Let's just say that I felt some additional pressure at this point (!!!), but he was so encouraging and kind to me during the performance, that I really felt great and highly motivated while I was playing. What an experience!

(A small note about the Benares tabla lineage: Pt. Pooran Maharaj, aside from being the son of the late Pt. Kishan Maharaj, is a disciple of Pt. Kanthe Maharaj, making him guru-bhai with Gurujee (Pt. Sharda Sahai). Shen's guru, Ashu Babu was also a disciple of Pt. Kanthe Maharaj.)

Last on the program was Hiro's sitar performance, accompanied by Shen. Finally, I would get to see Shen perform. I really enjoyed Hiro's alap - it was very sensitive and subtle, with lots of nuance in the meends. When Hiro introduced the alap, Shen played an uthaan that I would describe as being 'deep'. His time-feel is right on, and his baya playing is very smooth and melodic; a very sweet sound overall. It was obvious that Hiro and Shen enjoy playing together, as they would often play off each other, and I really enjoyed watching Hiro's tihai challenges. :)

The United Nations of Indian Classical Music, right after the performance.

A great experience, and a perfect ending to my trip to Benares. Many thanks to Shen for organizing this concert. He opened the concert by saying to everyone that he had put together this concert just for me. Wow! I hope that we can find other occasions to musically come together again.

You can read Shen's blog post on the same subject, at his blog, Tabla in Hand.