Moving my blog over to shawnmativetsky.com

Dear friends,

With the recent update of my website, I now have the ability to integrate the blog directly into the website, so that is what I am doing; it just makes sense. I will no longer be posting updates here. Thank you to all of you for your interest in my musical adventures. Please click along to my website for the continuation of this blog in the future! If you would like to update your RSS subscription, this is the new RSS URL: http://shawnmativetsky.com/blogs/blog.atom

I hope to see you over at shawnmativetsky.com!

Shawn

Monday, 20 April 2009

New releases

A couple of recordings that I worked on last fall have just recently been released. These aren't groups that I regularly perform with, but they were looking for some Indian flavour for specific tracks on their albums.

The first recording is with La Nef, a group whose music is extremely varied and defies categorization. Generally speaking, they perform both early music and world music. This recording, as the title suggests, is of music inspired by desert cultures. I perform santoor (yes!) on the second track, Rub al Khali. The other performers on the track are the very talented Pierre Hamon on bansuri, Carlo Rizzo and Patrick Graham on frame drums, and Andrew Wells-Oberegger on oud. Pierre and Carlo had flown in from France for this occasion. The rest of the CD is extremely varied, with voice, various flutes, numerous frame drums and percussion instruments, oud, saz, guembri, and jaw harp.

The other recording that has recently been released is francophone pop artist Yann Perreau's Un serpent sous les fleurs. Having recently returned from India, Yann wanted some tabla on his new record. I perform on the track, Le marcheur rapide.

Future releases in 2009 include a couple of guest tracks on Marie Saintonge's upcoming funky-electronic-world CD (previews can be heard on MySpace), a compilation with slam-poet-singer Mathieu Lippé and the soundtrack for a National Film Board of Canada short film.

That's all for now! More tabla-news coming soon.

Wednesday, 18 March 2009

A Quick Update on Recent Activities

Things have been really busy these past several weeks with many great projects. Here is a quick rundown of what's been going on.

First, in January, I performed tabla solo for the Abhilasha Project's fundraiser concert. In February, another fundraiser concert - this time, for the Montreal Heart of the City Piano Program, and a performance of Payton MacDonald's marimba and tabla duo, Jugalbandi, with marimbist Catherine Meunier. We also recorded some music by composer Luigi Allemano for an upcoming National Film Board short film.

Performing Jugalbandi with Catherine Meunier

March included a recording and performance with Francophone singer/poet Mathieu Lippé in Quebec City, a jazz performance with pianist John Roney, and Bhumi Pranam, a Bharat Natyam performance with Ginette Dion's Sattvika Danse.

My setup for accompanying John Roney included tabla (3 dahinas),
shakers, and a variety of Sabian cymbals that I played with both hands and sticks.
(Special thanks to Ji for the photo!)

Coming next are performances with contemporary violinist Parmela Attariwala in Toronto, and pop singer Yann Perreau's album launch in Montreal.

Tuesday, 17 March 2009

Tabla Tracks - New CD Release by Pandit Sharda Sahai!

I am really excited to annouce this news. Pandit Sharda Sahai (my tabla guru) has just released a new CD! This album is really special in many ways. It is in fact a very old recording - from 1976. Music Room - Jalsa Ghar was recorded at Pandit Samta Prasad's house in Benares (Varanasi) upon Pt. Sahai's return from a six-year residency in the United States. This recording has been archived privately all this years, and it is only now that this historic recording has been made public for the first time.

There is a special mood to this recording; it is a live performance in an intimate house concert setting. Over the course of the performance, we can hear the comments made by Pt. Samta Prasad as well as other audience members. There was immense anticipation of this concert, as Pt. Sahai had been away for so many years; everyone wanted to see how he was playing. Needless to say, the performance is absolutely spectacular and the mood is electric. The performance includes many of the compositions that have become Panditji's trademark as well as some rare compositions that are not available on any other recording released to date.

This is an absolute must have for anyone interested in Indian classical music. This is certainly one of the best tabla solo recordings of our time.

This recording has been pressed in limited edition and so will not be available from all retailers. If you are in Montreal, I have a few copies available. Audiorec will be carrying the CD for international sales (as of this posting, I don't see the CD listed online but they do have them), and if you are in London you can also contact the Pandit Ram Sahai Foundation to purchase a copy directly.

Thursday, 22 January 2009

New Feature - Tabla Tracks

I have decided to start posting small blurbs about tabla-related albums that I am listening to, in an effort to promote this great music. I wouldn't necessarily call these CD reviews; I just want to share what I'm listening to! Tabla Tracks will be a regular feature of TablaMontreal. Look for new Tabla Tracks to appear on a regular basis. This first edition features two world-fusion albums.

The first CD is from Victoria-based guru-bhai, Niel Golden. Niel is a master tabla player, whose musical travels have literally taken him around the world. It's a Journey (released in 2008) is a fitting title for this album. The album is an eclectic world-fusion mix, combining influences from Indian, African, and Latin music with elements of blues and pop.

Tabla is heard in practically all of the tracks, but it doesn't always take centre stage; but don't fret, there are definitely some tabla solos in there! Niel's use of tabla is quite tasteful, and varies from tune to tune. Each track is in a completely different style, which shows both Niel's and the tabla's versatility in accompanying different types of music. For example: the tabla tarang-like use of tabla in Maliwood Drive, the Rolling Stone cover in Paint it Black, and the modulating tabla in Blu Z. Niel is a big fan of the Swiss instrument, the Hang, which is also featured in a few tunes. Of special note is a guest appearance by Harry Manx on Mohan veena.

Favourite tracks: Bergamot, Hari OM


The next CD, is a more recent acquisition - Tibet2Timbuk2's Music is Life (released in 2009). Tibet2Timbuk2 is a project of longtime Internet friend and Benares gharana brother, Shen Flindell, who is based in Australia. Shen is a very talented tabla player, and aside from some online clips, this is the first full-length album of his that I have had the pleasure of listening to. Tibet2Timbuk2 is a trio that combines the musics of India, Tibet, and Africa. The result is a feel-good mix of upbeat world music. Honestly, every folk festival in Canada should book this band!

What really strikes me in Shen's playing on this album is his feel/groove, and above all, his truly exceptional baya playing. His baya's pitch is nicely tuned to the tonic (which surprisingly, not every tabla player does), and aside from that, he plays moving bass-lines with great accuracy. Who needs a bass player? :) The instrumentation of the trio allows each instrument to speak, with no one stepping on each other's toes.  The singer's "super-vibrato" is certainly different! Of special note is guest artist Taro Terahara on bansuri.

Favourite tracks: Beautiful Girl/Bhumo Zhema, Ama

Music is Life can be ordered through EthnoSuperLounge. Proceeds from the sale of this album go to support Tibetan Children's Village in Dharamsala, India.

That's all for now. Please let me know what YOU think of these albums!

Monday, 12 January 2009

27th Annual Summer Tabla Workshop with Pandit Sharda Sahai

I'm very pleased to announce the 27th Annual Summer Tabla Workshop with Pandit Sharda Sahai, which is being hosted by my guru-bhai, Niel Golden, in Victoria, BC, Canada.

Of course, Pandit Sharda Sahai needs no introduction. As gharanadar, he is the living torchbearer of the Benares tabla tradition.

The workshop is a great opportunity to become fully immersed in the world of tabla. The workshop is taking place from August 17th through August 29, 2009. The daily group tabla classes and practice sessions are a great way to experience tabla-culture, and the workshop is appropriate for all levels; participants are divided into one of three classes, based on previous experience.

For more information, please visit www.sahai.org

I hope to see some of you there!

Thursday, 13 November 2008

X-Mas in Goa video

Just in time for the holiday season! X-Mas in Goa is a duo for pandeiro and tabla, and was composed by Randy Gloss (of the group, Hands On'Semble) on one of his trips to India. This performance took place in September, 2007. Sorry for the delay in posting the video!

The tabla writing is mainly traditional, while the highly virtuosic pandeiro part makes use of both traditional and extended techniques. The piece opens with an improvised pandeiro solo, followed by two composed sections. After a short improvised tabla solo, the piece ends with a third composed section, based on the traditional Indian concepts of kaida and palta (theme and variations).



Fernando Rocha is playing the pandeiro part. Fernando is an incredibly talented percussionist, based in Minas Gerais (Brazil), where he is professor of percussion at Minas Gerais Federal University (UFMG). It was Fernando who first introduced me to this composition and some of the other Hands On'Semble repertoire. It makes for a great fusion of percussive cultures; traditional musics combined with some modern elements.

Monday, 3 November 2008

NAFDA North Frame Drum Fest 2008

This past weekend, I drove down to Brattleboro, Vermont where N. Scott Robinson and Todd Roach hosted the NAFDA North - Cooperman Frame Drum Fest 2008. It was great to meet so many talented musicians, and get to see various frame drums performed in both traditional and innovative ways.

Of course, I brought my tabla along (though they're definitely not frame drums!), and was fortunate to be able to sit in, and perform in a couple of pieces at the Friday night concert in Grafton, VT.

The first piece that I participated in was an original composition by Carnatic singer K.S. Resmi, accompanied by N. Scott Robinson on frame drum, and myself on tabla. We had just met only 30 minutes prior, but Scott and Resmi are such great musicians, everything flowed naturally. I wonder what the performance would have been like had we actually practiced the piece before. :)

I was also really happy to play in one of Marla Leigh's compositions. I had met her a few years ago at PASIC, but never had the chance to play together. She played flute and frame drum, and was joined by Patrick Graham on kanjira and caxixi, Mac Ritchey on oud, Todd Roach on ghaval and bendir, and myself on tabla. 

The next day was loaded with great workshops, and followed by a concert featuring all the workshop clinicians (minus Patrick, who had to return to Montreal for a gig). For more photos from the event, click here.

The event was sponsored by the Cooperman drum company. Patrick Cooperman was on hand with a selection of amazing drums for sale. It took great self-control for me to only purchase one drum; I could have easily bought at least three or four!

There is talk of hosting an event such as this somewhere in Canada. I will certainly try to attend, and will pass on word as soon as I hear anything. In the meantime, there is the upcoming NAFDA festival in New Jersey.